/page/2
affinitaelettive:

PRODUCTORA | MEXICAN PAVILION COMPETITION, SHANGAI 2010

affinitaelettive:

PRODUCTORA | MEXICAN PAVILION COMPETITION, SHANGAI 2010

affinitaelettive:

PRODUCTORA | Museum of Contemporary Art, Lima, Perù

affinitaelettive:

Pagano, Diotallevi e Marescotti | La città orizzontale, 1939, Milano
This plan was conceived for the rethinking of the historical center of Milan. The proposal was absolutely striking for the epoque, probably the strongest and most innovative in that competition.  The project consists of an infinite series of lines of low-rising buildings, a new way of producing the density of the city centre. Is that a solution? Huge demolitions of the so called “uninteresting” historical heritage were foregone, while iconic monuments were included in voids cut from the infinite grid.

affinitaelettive:

Pagano, Diotallevi e Marescotti | La città orizzontale, 1939, Milano

This plan was conceived for the rethinking of the historical center of Milan. The proposal was absolutely striking for the epoque, probably the strongest and most innovative in that competition.
The project consists of an infinite series of lines of low-rising buildings, a new way of producing the density of the city centre. Is that a solution? Huge demolitions of the so called “uninteresting” historical heritage were foregone, while iconic monuments were included in voids cut from the infinite grid.

affinitaelettive:

NEW YORK CITY VISION COMPETITION | Rezoning Manhattan, F. Furiassi

affinitaelettive:

NEW YORK CITY VISION COMPETITION | Rezoning Manhattan, F. Furiassi

affinitaelettive:


NEW YORK CITY VISION COMPETITION | Rezoning Manhattan, F. Furiassi
”So, if the private space becomes public and vice versa, the resulting image of the city is the following: the built up land is liberated into a traversable territory which can be re-configurated according to the community needs; the infrastructure grid becomes available for building and eventually extruded for mixed use functions; while Central Park is possibly invaded by skyscrapers.” 

affinitaelettive:

NEW YORK CITY VISION COMPETITION | Rezoning Manhattan, F. Furiassi

”So, if the private space becomes public and vice versa, the resulting image of the city is the following: the built up land is liberated into a traversable territory which can be re-configurated according to the community needs; the infrastructure grid becomes available for building and eventually extruded for mixed use functions; while Central Park is possibly invaded by skyscrapers.” 

Taller Veinticuatro, Gonzalez Gallo Park

Taller Veinticuatro, Gonzalez Gallo Park

Taller Veinticuatro, F.A.R.O. Satelite, Naucalpan, Mexico

Taller Veinticuatro, F.A.R.O. Satelite, Naucalpan, Mexico

socks-studio:

“Science has made us gods even before we are worthy of being men.”
Jean Rostand (1894 – 1977) 
Chen Jiagang - The Three Gorges Dam, Yichang
whocaresaboutarchitecture

socks-studio:

“Science has made us gods even before we are worthy of being men.”

Jean Rostand (1894 – 1977) 

Chen Jiagang - The Three Gorges Dam, Yichang

whocaresaboutarchitecture

socks-studio:

James Wines/SITE, High Rise of Homes, Catalog of House Units, Major Urban Center, 1981
architectural-review

socks-studio:

James Wines/SITE, High Rise of Homes, Catalog of House Units, Major Urban Center, 1981

architectural-review

(Source: archiveofaffinities)

socks-studio:

Thomas Willson’s 1829 design for a 15-acre, 94-storey pyramid cemetery to be built on Primrose Hill, housing 5 million corpses accessed by steam-powered lifts.
thegreatdamfino

socks-studio:

Thomas Willson’s 1829 design for a 15-acre, 94-storey pyramid cemetery to be built on Primrose Hill, housing 5 million corpses accessed by steam-powered lifts.

thegreatdamfino

Li Han, XiZhiMen, Beijing

Li Han, XiZhiMen, Beijing

Li Han, Nan Luo Gu Xiang, Beijing

Li Han, Nan Luo Gu Xiang, Beijing

Xavier Delory’s Habitat (2006-2008)

Xavier Delory’s Habitat (2006-2008)

affinitaelettive:

PRODUCTORA | MEXICAN PAVILION COMPETITION, SHANGAI 2010

affinitaelettive:

PRODUCTORA | MEXICAN PAVILION COMPETITION, SHANGAI 2010

affinitaelettive:

PRODUCTORA | Museum of Contemporary Art, Lima, Perù

affinitaelettive:

Pagano, Diotallevi e Marescotti | La città orizzontale, 1939, Milano
This plan was conceived for the rethinking of the historical center of Milan. The proposal was absolutely striking for the epoque, probably the strongest and most innovative in that competition.  The project consists of an infinite series of lines of low-rising buildings, a new way of producing the density of the city centre. Is that a solution? Huge demolitions of the so called “uninteresting” historical heritage were foregone, while iconic monuments were included in voids cut from the infinite grid.

affinitaelettive:

Pagano, Diotallevi e Marescotti | La città orizzontale, 1939, Milano

This plan was conceived for the rethinking of the historical center of Milan. The proposal was absolutely striking for the epoque, probably the strongest and most innovative in that competition.
The project consists of an infinite series of lines of low-rising buildings, a new way of producing the density of the city centre. Is that a solution? Huge demolitions of the so called “uninteresting” historical heritage were foregone, while iconic monuments were included in voids cut from the infinite grid.

affinitaelettive:

NEW YORK CITY VISION COMPETITION | Rezoning Manhattan, F. Furiassi

affinitaelettive:

NEW YORK CITY VISION COMPETITION | Rezoning Manhattan, F. Furiassi

affinitaelettive:


NEW YORK CITY VISION COMPETITION | Rezoning Manhattan, F. Furiassi
”So, if the private space becomes public and vice versa, the resulting image of the city is the following: the built up land is liberated into a traversable territory which can be re-configurated according to the community needs; the infrastructure grid becomes available for building and eventually extruded for mixed use functions; while Central Park is possibly invaded by skyscrapers.” 

affinitaelettive:

NEW YORK CITY VISION COMPETITION | Rezoning Manhattan, F. Furiassi

”So, if the private space becomes public and vice versa, the resulting image of the city is the following: the built up land is liberated into a traversable territory which can be re-configurated according to the community needs; the infrastructure grid becomes available for building and eventually extruded for mixed use functions; while Central Park is possibly invaded by skyscrapers.” 

Taller Veinticuatro, Gonzalez Gallo Park

Taller Veinticuatro, Gonzalez Gallo Park

Taller Veinticuatro, F.A.R.O. Satelite, Naucalpan, Mexico

Taller Veinticuatro, F.A.R.O. Satelite, Naucalpan, Mexico

socks-studio:

“Science has made us gods even before we are worthy of being men.”
Jean Rostand (1894 – 1977) 
Chen Jiagang - The Three Gorges Dam, Yichang
whocaresaboutarchitecture

socks-studio:

“Science has made us gods even before we are worthy of being men.”

Jean Rostand (1894 – 1977) 

Chen Jiagang - The Three Gorges Dam, Yichang

whocaresaboutarchitecture

socks-studio:

James Wines/SITE, High Rise of Homes, Catalog of House Units, Major Urban Center, 1981
architectural-review

socks-studio:

James Wines/SITE, High Rise of Homes, Catalog of House Units, Major Urban Center, 1981

architectural-review

(Source: archiveofaffinities)

socks-studio:

Thomas Willson’s 1829 design for a 15-acre, 94-storey pyramid cemetery to be built on Primrose Hill, housing 5 million corpses accessed by steam-powered lifts.
thegreatdamfino

socks-studio:

Thomas Willson’s 1829 design for a 15-acre, 94-storey pyramid cemetery to be built on Primrose Hill, housing 5 million corpses accessed by steam-powered lifts.

thegreatdamfino

Li Han, XiZhiMen, Beijing

Li Han, XiZhiMen, Beijing

Li Han, 798

Li Han, 798

Li Han, Nan Luo Gu Xiang, Beijing

Li Han, Nan Luo Gu Xiang, Beijing

Xavier Delory’s Habitat (2006-2008)

Xavier Delory’s Habitat (2006-2008)

About: